Sunday, June 16, 2013

Horse Sense

The first time I went to the racetrack I knew only one thing about horses: that they had four legs. My betting scheme was founded on the hope that wit shown in creating a horse’s name from that of its sire and dam might be a precursor of wit employed in its training. Despite my yelling and screaming and jumping up and down, my witty horses displayed no aptitude for winning—until the last race when I was able to cash a five-dollar win ticket. At the end of the day I determined two things: that I had lost a total of nineteen dollars and that I hadn’t had so much fun for ages.

I was hooked.

But before I next visited the track, the realization that I could not once again be flying blind forced me to turn loose the scholar in me to learn all I could about the so-called “Sport of Kings.” After hitting the books and the track with mixed success, I eventually came upon the works of Andy Beyer, and I became, following his teachings, a speed-figure number cruncher. This entailed a good deal of research and record-keeping, collected on ruled index cards, with colored ones for the first of every month to facilitate easy referencing. Since it was necessary to be prepared for battle, I would make a detour before work or get up at the crack of dawn on non-teaching days to hunt down a copy of an advance copy of Daily Racing Form, which would have the next day’s entries. With different colored highlighters and ballpoint pens at hand, I would mark-up the pages with numbers, colors, and strange symbols.

I believe I had success, although I never kept a long-time tally. One parking-lot guard at Monmouth Park would stop me before each Meadowlands simulcast to ask me who I liked. It got to be such a routine that would write down a few selections to hand over to him. After I strongly promoted a horse at a good price in the fifth race the night before, I was eager to learn how much he won. He told me that he didn’t bet on the horse because meeting the trainer coming into the track and asking his usual “Who do you like?” he received an answer from the trainer that omitted the horse of his I had picked. I was not pleased. “Who are you going to listen to—the trainer or me?”

Although I was rapturously absorbed in the world of horseracing, I couldn’t, unfortunately, proselytize others to share the delight. One girlfriend, when invited to accompany me a second time to the track, declared, “I’d rather give birth!”
*                                                                 
My own eventual disillusionment with horseracing came in stages. The first was probably the decision by the Racing Form to print Beyer speed figures for the horses. Now anybody without any effort could just open the paper and get quality information that I was sweating to turn out for myself--the loving numbers which had given me an edge over other bettors. As a result, the odds on my good horses began to fall as others caught on, and there was less of a profit to be made on them. 

One dreary June Monday when there was no live racing and no simulcasting of any interest, I had the idea to finally do a long-time tally (at least for the preceding almost-half year) and to see exactly how the new state of affairs had affected me. What I discovered was that for the previous five-and-a-half months of betting I was within ten dollars of breaking even (I don’t recall whether I was ten to the good or ten to the bad). All that time and work and no profit; indeed, a net loss when expenses (gas, tolls, parking, admission, Racing Form, program) were considered. Bad enough—but I was feeling even worse when I realized that on the basis on my selections alone, I should have been a big winner. It was the tracks’ take-out that defeated me. On the basis of handicapping alone, I would have had a profit of between 20 and 25 percent (math freaks, see below*). That would have made all the effort worthwhile. But the realization that I was fighting a headwind, cooled my ardor and I began to disengage from the sport. It was, I determined, a mug’s game.
*                                                            
For the first time in years, this spring I watched all three races of the Triple Crown. On the telecasts I saw recognizable figures from the past: Shug McGaughey, winning trainer of the Kentucky Derby, looking rather short and bent, and sun-glassed D. Wayne Lukas, winning trainer of the Preakness, looking as pin-collared tidy as before but seemingly with new choppers. During none of the races did I yell and scream or jump up and down; neither did I make a bet on any of the horses, whatever the wit behind their names.

It was, after all, a mug’s game.
***                                                           

*For the math freaks:

Out of each betting pool the track deducts a set percentage (as I recall, between 17 and 33 percent, depending upon the type of bet—strangely, the more difficult the bet, the higher the take-out).
Let us assume that, like me for those five or so months, you broke even at the track—you bet a total, just to choose a nice round number, of $1,000 and received back $1,000. Assuming an average track take-out of 20 percent, the equation looks like this:
Your return = .8 of your share of the total pool; that is, $1,000 = .8x (x =your share of the total pool). Your share of the total pool is $1,000 divided by .8.
Your share of the pool = $1,250.
In other words, on pure handicapping alone, you should have earned $250 for your $1,000 in bets—or a return of 25 percent.
A nice profit—that you can’t get.
A mug’s game.   

 








Saturday, June 1, 2013

Snap

The other night during a Stanley Cup playoff hockey game at Staples Center in Los Angeles the telecaster decided to enthrall us viewers with the sight of Tom Cruise and Victoria and David Beckham in the stands. I merely shrugged and noted that it still left them seventy percent short of a Mensa minyan.

Today I just read an article on the New York Times website (to be published tomorrow in the Magazine) about a teenager named “Sarah M., better known as ‘Stalker Sarah,’” whose purpose on Earth seems to be to have her picture taken with alleged celebrities (convicted ex-governors apparently count) and uploading the results to the internet. According to the Times, her activities have propelled Sarah M. to the sort of fame that causes other teenaged girls to want to have their pictures taken with her.

The walls of many New York City delicatessens attest to an earlier age of photo-taking-with-celebrities. There one can still see fading black-and-white glossies of countermen posing with minor Borscht Belt comedians. But at least the former did something to earn their Kodak moment; they sliced the latter’s pastrami and placed it between pieces of rye bread (with or without seeds).

Four-and-a-half decades ago at Expo67 in Montreal I took a photograph of famed photographer Yousuf Karsh. I am willing—out of the goodness of my heart—to allow you to take a picture of me, so that you can brag that you have photographed the person who photographed the person who photographed (according to Wikipedia) Winston Churchill, Mohammed Ali, Mother Teresa, Humphrey Bogart, Sophia Loren, Dwight D. Eisenhower, Ernest Hemingway, Nikita Khrushchev, Martin Luther King, Pope John XXIII, Pablo Picasso, Dizzy Gillespie, and Queen Elizabeth II.

And the glow of greatness can encompass us all.

Thursday, May 16, 2013

Eden



"The past is a foreign country: they do things differently there."

L. P. Hartley, The Go-Between 

***
“A more delightful country could not be imagined.” That bold statement occurs near the beginning of an article by Christopher Rand, “A Reporter at Large,” in the December 11, 1954 issue of The New Yorker. “Not only beauty but civility is here.”

Unfortunately, Rand laments, “America seems immune to Afghanistanism.”

While the States as whole seemed to be indifferent to the charms of that Asian country, a few Americans were thriving there. For example, a “plucky” American home economist
sometimes stops in at the palace to give the King's sisters-in-law a course in the planning of cold buffets for royal entertaining.
And other American women in the capital of Kabul,
single and married, go out whenever they can and do as much entertaining as their budgets will allow. Some of them ride, some play tennis, and some picnic on Sundays if they can wrangle transport; in their kitchens they supervise the creation of aspics, salads, and casseroles that would have astonished Alexander or Tamerlane.
The Americans in Afghanistan, Rand notes at the conclusion of his report
are newcomers on an ancient stage, and at the moment they seem to be rather tentative newcomers, awaiting a cue. One would like to ask the prompter what the cue will be—what drama is about to unfold—but this would no doubt be a fruitless inquiry. Wait and see, the answer will surely be. Wait and see.
Speculating about the future, Rand tells us, is “a fruitless inquiry” about the land he describes in the opening paragraph as “a large Central Asian oasis in the best manner, with delicious fruit.”

He left out one good bit of advice: "Don't bite into the apple."



Monday, April 29, 2013

Open to Whales


This blog entry contains a number of links which I hope that you will follow. The first link (and the kicking-off point for the blog) is to a cartoon in a recent issue of the New Yorker: http://www.condenaststore.com/-sp/Captain-Ahab-looks-out-into-the-ocean-at-a-bright-red-whale-New-Yorker-Cartoon-Prints_i9504419_.htm.

It is generally acknowledged that to explain a joke is to ruin it; but in the expectation that you have looked at the cartoon and already gotten the joke, I feel free to expatiate upon it. We laugh at Captain Ahab in the cartoon because in his fervent quest for revenge upon the creature that has cost him his leg he registers only disappointment in not seeing the white whale--when he should be staring with wild surmise at A RED WHALE! As we move out from the joke itself, we should recognize that this discovery of such an anomalous creature offers Ahab the opportunity for a positive fame above that of most men; but he cannot see beyond  his obsession—the desire to destroy the white whale. And so he ends up destroying himself and his fellow men.
*
W. H. Auden's poem “Musee de Beaux Arts” concerns another watery death, that of Icarus, who flew too close to the sun and had the wax of his fabricated wings melt away, and so plunged to his demise in the sea. Auden focuses on the painting “Landscape With the Fall of Icarus” by the 16th Century Flemish master Pieter Breughel. (http://www.artchive.com/artchive/b/bruegel/icarus.jpg) He observes that people who could have witnessed “Something amazing” were too absorbed in their mundane tasks to turn away from them:
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.
And so death occurs (in the lower right hand part of the painting) without acknowledgment.
*
But we need not talk just about death and destruction here. The singlemindedness of obsession or the narrowly-focused pursuit of one's everyday tasks can also lead one to miss the exceptional which is also the beautiful and the sublime. On January 12, 2007, the great American violinist Joshua Bell undertook an experiment (arranged by the Washington Post) to play works by Bach and other masters during the morning rush hour at a location in a Washington metro station. A few months later the British newspaper the Independent decided to replicate the D. C. experiment in London with the help of one of Britain's foremost violinists Tasmin Little. In the paper's words, “The Independent decided to give Little one of the more difficult challenges of her career - to test how people would react to a great artist giving a performance in a totally unexpected setting,” in her case the tunnel under the railway bridge by Waterloo station.

The Post clocked 1,097 people passing by Bell during the three-quarters of an hour he played, while the Independent estimated 900 to 1,000 passers-by in the London tunnel during the same amount of time. With some of the world's greatest music being played by great artists how many people were not absorbed in the singleminded purpose that they had “somewhere to get to and [so] sailed calmly on”? In Little's case, eight people, “of whom one was under the age of three.” For Bell, seven stopped.

Little summed up the experiment astutely:
"Sometimes we're guilty of giving ourselves a goal, even if it's only catching a train, and leaving very little room for spontaneity in our lives. We don't deviate from our pattern. People forget to take into account that something different might happen."
They might even discover a red whale!

***
For Bell:



For Little:

Story--http://www.jessicaduchen.co.uk/pdfs/indi-2007/tasmin-20apr.pdf

For Auden (full text of "Musee des Beaux Arts"):

http://english.emory.edu/classes/paintings&poems/auden.html


Monday, April 1, 2013

Counting the Spoons

Rummaging among some old papers the other day, I came upon a draft of a letter I composed apparently in the spring of 1962. The draft has no date, but by the letterhead on the paper, I can be confident that it was written no earlier. The draft also does not state who I was writing to, but I assume it was the editor of the New York Times. The issue I was addressing was the recommendation by a commission appointed by New York Governor Nelson Rockefeller and headed by Henry T. Heald, president of the Ford Foundation, that the City University of New York abandon its long-standing practice of offering students free tuition. (It is worth noting that before Mr. Heald went to the Ford Foundation, he was president of New York University, a private institution in direct competition with the four-year colleges that comprised the City University system at that time: City College, Brooklyn College, Hunter College, and Queens College.) As a graduate of City College, I had no desire to see those who came after me be deprived of the great gift that the City of New York had given me--a free college education.

Here is the text of my letter. The only alterations I have made is spelling out the abbreviations in the original draft.
Dear Sir:
I should like to offer a few comments on your stand for tuition at the City University of New York. Like Mr. Heald, whose committee favored the imposition of tuition at the senior colleges of the University, you seem to believe that free tuition is unprincipled. I derive that conclusion from the fact that you claim, together with Mr. Heald, that it is time to introduce the “principle” of having the City University students pay a token amount of money for their education. The money involved is, of course, not important, for the token payment is not even related to the cost of the student’s education. The token—the “principle”—is the be-all and end-all of the press for tuition. Reason does not dictate the token offering, since the deficit would remain and would still have to be borne by the City and State governments. Were the proponents of tuition to argue for reason, they would have to ask the students to pay all the cost of their education (and not only the students at this one university, but also at all others, public or private). That, I should imagine, would be the only “reasonable” position.
If reason does not dictate the token payment (since it is only a token), what does propel the “principled” proponents of tuition? If I am allowed to make a guess, I should state that tuition is a reflection of the Weltanschauung of its proponents. That is, the tuition-pushers believe that America’s business is business and that “money talks.” Money rules our social, artistic, and governmental spheres—as well as most of our educational scene. The great holdout—the nay-sayer to our commercial jungle is the City University of New York. Money may dictate what books will be published and what plays will be produced (leaving us with commercial wastelands). But money cannot dictate the educational policies of at least one great educational institution. The City University confounds those who believe that everything must have a pricetag and that nothing is good in and of itself. The education received by the undergraduates of the City University must not, despite the efforts of the tuition-pushers, ever be reduced to a commercial standard. The search for knowledge must always remain valuable for intrinsic reasons, not for business ones.
The students at City College, Brooklyn College, Hunter College, and Queens College must never be seduced into believing that it is better to be rich, gross, and business-minded than poor, virtuous, and truth-seeking. Money morality may or may not be in itself evil, but the belief that everything good, true, or beautiful must first pass commercial muster is.
Need I say that the letter—wherever it was sent—was never published, and that the campaign to maintain free tuition was another of the battles that I was on the losing side of.

***

Ralph Waldo Emerson once commented about a dinner guest:

“The louder he spoke of his honor, the faster we counted the spoons.”

I think we might update the remark to:

“When they come at you speaking of principles, guard your wallet!”

Thursday, March 21, 2013

Open the Door for Mr. Muckle!

For us South Africans, and for many across the globe, it is impossible to watch Oscar Pistorius run without a stir of emotion, without wanting to break down and cry and shout with joy. Pistorius is no ordinary hero: he is that rare thing, a man with an almost-impossible narrative. (Justice Malala, The Guardian
 *
Google “Pistorius hero” and you’ll find what you would expect to find: words like “fallen” and “flawed.” In many newspaper and magazine articles Pistorius’ downfall is linked with those of other former sports legends—especially now, because of its chronological propinquity, with that of Lance Armstrong, recently stripped of his seven Tour de France titles for doping. All the time that the public celebrated the accomplishments of these athletes, asks Jeff MacGregor of ESPN.com, “How much did we really know?”
(Answer: "little.") How many questions went unasked? (Answer: "most.") How much of the "truth" do sportswriters and sports fans really want? (Answer: "Next question, please.")
But, strictly speaking, MacGregor isn’t quite right. The tarnish on the supposed golden crowns was there to be seen. As Malala himself reports,  
There have always been niggling, worrying features to Pistorius. At the London Olympics last year, when he behaved in an unsportsmanlike manner towards another athlete and shocked many, we were reminded of his flaws. . . .There was the drinking and the short temper.
And with Armstrong ("I wrote four books about the guy. All the evidence was out there since 2004 and people will still say there is no evidence”-- 
David Walsh, sportswriter on the Sunday Times), there was, above all, the intimidation and bribery, using his clout within the sport to keep the lid on his doping practices. According to the New York Daily News,
Armstrong was probably the most litigious athlete in the history of sports.
He set a precedent for other athletes who would go on to use guerilla tactics to attempt to intimidate the media or silence accusers.
(Before I go further, it should be noted that while Armstrong has limply admitted to some degree of drug cheating, Pistorius’ killing of his girlfriend has not yet been tried and so we must await his day in a South African court to learn if it was indeed a criminal act.)

But while the Pistorius and Armstrong stories emerged very closely together and became natural fodder for the continuation of the athlete-as-fallen-hero narrative, I prefer to focus on the aspect of their stories that made their athletic success even more striking and their status as celebrities even more elevated. That is, their battles against their misfortunes (Pistorius' disability--being without legs and Armstrong's illness--testicular cancer). I believe that those afflictions led the public to perceive in the two men something even greater than the heroism their athletic feats granted them, and thus made them more immune to critical assessment of their characters by most fans and journalists. The halo effect wasn’t just a product of heroism, but of heroism-cum-sentimentality. Like cute little children, the disabled and the ill are often viewed by us as being innocent of those endearing human qualities the rest of us have—avarice, malice, spite, viciousness, pride, and so on for the next ten pages. 
*
As a reminder of what sweet little children can do, here is Baby LeRoy dunking W. C. Fields’ pocket watch in a tub of molasses: http://www.youtube.com/watch?v=_YvHn4_8n78. Fields rightly pays him back with a furtive boot on the backside.

Here from Fawlty Towers is a desentimentalizing view of the disabled--the self-centered deaf lady: http://www.youtube.com/watch?v=TIVDx-8kWZo

And here is what is probably the best demolishing of reflexive sentimentalizing of the disabled—the destructive Mr. Muckle from Fields’ It’s a Gifthttp://www.youtube.com/watch?v=y189-69cQPs.















Tuesday, February 5, 2013

Heart of Darkness


Like everybody else in the whole wide universe I watched the Super Bowl on Sunday. Well, I didn’t actually watch it—more like glanced at it. I had it streaming on my computer with the sound off while I really watched on TV the recap of the weekend games in the English Premier League, enjoying the sight of true footballers falling to the ground without being touched, trying to get a penalty called on their opponents. Now that’s sport!

I used to be an enthusiastic watcher of the games of the National Football League. Two things turned enthusiasm into indifference: the scabbing of players against their own union when a strike was called in 1987 and the increasing militaristic posturing and chauvinism associated with the sport. (It amused me to see on Sunday that the suits of the studio analysts were adorned with flag pins, assuring the viewers that the opinions being voiced were those of true Amurricans.)

Since I had no emotional baggage attached to either the Baltimore Ravens or the San Francisco 49’ers, my initial, rather muted, rooting preference for the latter team rested on the fact that I had visited the Bay City twice and Baltimore only once. However, soon after the game began, I noticed that the Frisco quarterback was covered with tattoos, so I resurrected my love for Maryland crab cakes and switched allegiance. (Do you have to be some kind of genius to give people money to inject ink into your body?)

After a lot of falling down and getting up (http://www.youtube.com/watch?v=Xus57BaY3hI) came halftime and the Super Bowl halftime show—which was basically a clone of a beer commercial without the beer. A stage miraculously appeared, along with a bunch of young stooges who surrounded it jumping up and down with their hands in the air—but empty of beer bottles with labels facing the camera. And on that stage was someone apparently named Bouncy, who did what she could to live up to her name. I cannot comment on the content of her songs (they may very well have matched Schubertian Lieder for all I know—sound was off, remember), but I can point out something that I have been aware of for a long time: the triteness of the clichéd wiggles and twitches that pass for rock choreography. Seen it once, seen it a hundred times.

The best part of the game was, of course, the blackout. Now I had something to root for: a hope that the lights would not go back on that evening and that the buttoned-up and anal National Football League would have to improvise. Could it marshall the troops and come back the next day (or evening)? God, I wanted to see the league have to scramble for a solution like after a loose fumble. Unfortunately, someone found some electrical tape and spliced together a few wires.

Ruined the rest of my evening.